Iron Man and Avengers: Infinity War (2018) Had People Keep Showing Up
The review so long that I split it up. Here we have an overview of my feelings on spoilers, Spider-Man, and Iron Man’s portion of the film. More to come!
Read MoreThe review so long that I split it up. Here we have an overview of my feelings on spoilers, Spider-Man, and Iron Man’s portion of the film. More to come!
Read MoreLook, I'm gonna say it so nobody else has to: people like to watch animals fight. Man vs Man is the most common of our movie going experiences, but the wide world out there in real life pits man against beast, chicken versus chicken, dog versus dog, and tortoise versus hare. With Rampage, we see a full acknowledgement of this with The Rock versus Flying Porcupine Wolf, Warthog Alligator, and Big Ape.
Read MoreSeason 2 of Game of Thrones started out without its main engine, yet revved along quite nice from the start. Ned Stark was the centerpiece of season one, sticking right there on the box art, but this season we are all about five kings warring for crowns. And whatever the hell they make Dany do. This episode showed most of our main characters making power plays, focusing their efforts on goals mighty and meek.
Read MoreWhen the Muppets came back with the big movie that won music awards and had Amy Adams in it, I had a hell of a lot of hope. They were my touchstone from childhood that over the years kinda became that thing I used to like. When Jason Segel and the crew came back, they filled it with heart and joy that I remembered from before Henson left us. Then those creative people left and we got the corporate mandated Muppets Most Wanted.
Read MoreLittle while ago while discussing A Wrinkle in Time, I talked about adapting things. All those expectations to live up to. Of course, I left out one thing: Steven Fucking Spielberg. Dude does not give a shit about your hopes and dreams for the thing you like, he just wants to make a good movie well told. Turns out, he's pretty good at it, too.
Read MoreFilming a book is hard. You have to live up to the reader's expectations (which is impossible), the expectations of the studio (they have a known thing people like so it should do well), and the general expectations of your average Joe who doesn't want to waste ten plus dollars. Of course, the best creative things tell the expectations to go to hell. The newest remake of A Wrinkle in Time is not one of the best creative things.
Read MoreAll of us felt a little awkward growing up. Some more than others. That little inside voice said that something about us was wrong, broken, gross. When we talked to the dead, even our families were all "get a hobby, weirdo." What I'm saying is I finally found a movie I can connect with in ParaNorman.
Read MoreWhat if we had little people running around in our heads directing the action? Joy, Sadness, Anger, Disgust, and Fear all pushing buttons. Forcing issues. At least you'd then have someone to blame, right?
Inside a little girl named Riley are the personifications of the five base emotions. They've grown up with her, formed her personality, and helped her maintain her composure. First among them is Joy. Joy dominates to a degree far above the others, making the best of every situation to the detriment of Sadness.
Riley's family moves from wintery land (I forget where but there was hockey) to San Francisco. With all the changes, Joy begins to lose control. Forcing the issue, her and Sadness are cast into the mind out of the control room. They must fight their way to get back, finding old imaginary friends and riding trains of thought. The movie's real clever.
The central theme of the movie is embracing sadness. It sounds like a bad theme, but it works. Throughout the film, Joy forces the issue. Hides behind platitudes and tries to protect old happy memories from turning sad. But then we learn without the sadness, how do we know about the joy? We learn depression is not the absense of happiness or overwhelming sadness, but a shutdown of all emotions. That the most dangerous thing the human mind has to fear is itself.
Also, it made me care about a goddamn thing monster called Bing Bong. So it's got that going for it.
Why did I think this movie was directed by Robert Rodriguez? Did he have something to do with it and I'm blanking out. I seriously thought this was the missing piece of the Rodriguez oeuvre that would tie everything together for me. As it stands, it did not tie anything together.
Read MoreA quite lovely yet dull affair about people walking toward redemption.
Read MoreA man is dead, so the world is going to the wolves. Winter is Coming.
Read MoreThe best they could do, I guess
Read MorePrison movies are hard to get right. I mean, after the Shawshank Redemption, what else can you do? Besides dye all the prison uniforms pink and turn it into a right good place for a spot of tea, anyway? Welcome to the hole, Paddington.
The world's most favorite bear that doesn't sound like a bowel movement, Paddington returns in the sequel to my favorite new comfort film. The bear is still living with the Brown family, but his Aunt Lucy's hundredth birthday is coming up. He's found her the best gift, but when he's framed for stealing it he goes to prison. The Browns work on his release while he makes friends on the inside. Also there's Hugh Grant having a hell of a good time.
It's a very English flick with set pieces of comedy that are charming and fun to watch. Like the first, what starts out as a small mistake on Paddington's part turns a regular event like washing a window into a violent torture scene of hilarity. Even though the film is animated, the physicality is on point. Like Buster Keaton or Rowan Atkinson's Mr. Bean before, the production creates enjoyable… You know what? It's funny and fun and sweet.
You should see it because you've had a bad day. Or you just want to smile. Or see a flick without 100 people dying or trying to hump each other stupid (although the subtext with Mr. and Mrs. Brown is palpable). It's not a superhero or an assassin. It's just a bear making friends and there's nothing wrong with that.
When I'm having a bad day, there's a few things that brighten it up. I'm not talking about earth-shattering days, just those times when the couch seems like the best option. Songs, movies, books: these are the things made to brighten the soul. Add Paddington to that list.
Paddington, like the books that came before it, is about a bear in a red hat and a blue coat that lives in London. He moves there hoping to find a family. The Browns take him in and in a very standard story, learn to have fuller lives with the clumsy bear in their house. Also, there's a killer taxidermist (Kidman) with a past linked to Paddington's because it's the 2000s, y'all. Action!
My history with this series is spotty. Honestly, I don't seem to have much recollection of when I first heard about Paddington. My grandma was English, from Bristol, but I don't remember her or my mom reading them. Nothing from Summer Reading or school, either. Just looking at that bear in his red hat and blue coat, though, brings a smile to my face. Don't know why.
This movie is like comfort food or a simple ray of sunshine on a rainy day. Check it out however you can and just enjoy it. You might not learn much, you might not grow as a person, but you will smile a small smile at the pure English antics of crumbling scenarios, cross-dressing, and wordplay.
The human spirit forces itself on so many movies you have to wonder if that's the whole reason we make the damn things. Gruff, no nonsense men learning lessons about being brothers while overcoming uncertain odds. That's pretty much the whole story here.
Our story starts in Siberia where men are kept like cattle by communist Russian forces. This prison camp holds any and all enemies of the state, from the idealistic and funny to the gruff and mean. Political and violent alike. Then a bunch of them escape and its those assholes we follow.
The true star of this film is the direction and cinematography. There's some good acting, to be sure, but views of snowy forests, mountain lakes, vast empty deserts, and peaks of Eastern Asia fill the screen and demand to be seen. As the men walk to each new climate, you have to wonder how this new and beautiful piece of the world is going to kill another man.
Make no mistake, this film is brutal as it is beautiful. When the prison camp is the most hospitable place in the story, be sure challenges continue to mount. No one gets off this planet alive, but it's amazing when there's good views.